NoxSiren is a modular synthesizer system where the punishment of failure is the beginning of a new invention.

--DOWNLOAD-- NoxSiren for :

• Pure Data :
  NoxSiren v15.rar
  NoxSiren v14.rar

• Purr Data :
  NoxSiren v15.rar
  NoxSiren v14.rar

--DOWNLOAD-- ORCA for :

• x64, OSX, Linux :
  https://hundredrabbits.itch.io/orca

In order to connect NoxSiren system to ORCA system you also need a virtual loopback MIDI-ports:

--DOWNLOAD-- loopMIDI for :

• Windows 7 up to Windows 10, 32 and 64 bit :
  https://www.tobias-erichsen.de/software/loopmidi.html

#-= Cyber Notes [v15] =-#

• added BORG-IMPLANT module.
• introduction to special modules.
• more system testing.

#-= Special Modules [v15] =-#

• BORG-IMPLANT (connects ORCA MIDI system to NoxSiren system)

#-= Current Modules [v15] =-#

• VCO (voltage-controlled-oscillator)
• VCO2 (advance voltage-controlled-oscillator)
• WAVEBANK (additive synthesis oscillator)
• ADSR (Attack-Decay-Sustain-Release envelope)
• C-ADSR (Curved Attack-Decay-Sustain-Release envelope)
• CICADAS (128 steps-Euclidean rhythm generator)
• CICADAS-2 (advance 128-steps polymorphic-Euclidean rhythm generator)
• COMPRESSOR (lookahead mono compressor unit)
• DUAL-COMPRESSOR (2-channel lookahead mono compressor unit)
• STEREO-COMPRESSOR (lookahead stereo compressor unit)
• MONO-KEYS (virtual 1-voice monophonic MIDI keyboard)
• POLY-KEYS-2 (virtual 2-voice polyphonic MIDI keyboard)
• POLY-KEYS-3 (virtual 3-voice polyphonic MIDI keyboard)
• POLY-KEYS-4 (virtual 4-voice polyphonic MIDI keyboard)
• POLY-KEYS-5 (virtual 5-voice polyphonic MIDI keyboard)
• POLY-KEYS-6 (virtual 6-voice polyphonic MIDI keyboard)
• BATTERY (simple manual triggered machine for drumming.)
• REVERB (reverb unit with lowpass control)
• STEREO-REVERB (stereo reverb unit with lowpass control)
• RESIN (advanced rain effect/texture generator)
• NOISE (generates black,brown,red and orange noise)
• NOISE2 (generates yellow,blue,pink and white noise)
• COBALT (6-stage polyrhythm generator)
• SHAPER (basic shaper unit)
• FOLDER (basic wave folding unit)
• STEREO-FOLDER (stereo wave folding unit)
• DUAL-FOLDER (advance wave folding unit)
• POLARIZER (transform a signal into bi-polar, uni-polar, inverted or inverted uni-polar form)
• CLOCK (generates a BPM clock signal for sequencing other modules)
• CLOCKDIVIDER (a clock divider with even division of clock signal)
• CLOCKDIVIDER2 (a clock divider with odd division of clock signal)
• DELAY-UNIT (delay unit)
• STEREO-DELAY (stereo delay unit)
• CHORUS (chorus unit)
• STEREO-CHORUS (stereo chorus unit)
• SEQ (advance 16-step/trigger sequencer)
• KICK (synthesize kick unit)
• KICK2 (synthesize flavor of KICK module)
• KICK3 (synthesize flavor of KICK module)
• SNARE (synthesize snare unit)
• CLAP (synthesize clap unit)
• CYMBAL (synthesize cymbal unit)
• RAND (RNG generator for other modules parameters)
• FMOD (feedback modulation unit)
• AM (amplitude modulation unit)
• RM (ring modulation unit)
• LFO (low-frequency-oscillator)
• LFO2 (advance low-frequency-oscillator)
• COMBINATOR (combine two waves)
• COMBINATOR2 (combine three waves)
• COMBINATOR3 (combine four waves)
• STRING (Karplus-Strong string synthesis unit)
• STRING2 (advance Karplus-Strong string synthesis unit)
• DETUNER (parametric 4-channel detuner unit)
• CRUSHER (basic audio resolution unit)
• STEREO-CRUSHER (basic stereo audio resolution unit)
• DUAL-CRUSHER (advance audio resolution unit)
• FILTER (basic filter)
• VCF (voltage-controlled-filter)
• MAR (Moog-analog-resonant filter)
• VCA (voltage-controlled-amplifier)
• DUAL-VCA (advance voltage-controlled-amplifier)
• FMUX (multiplexer with fast A/D internal envelope)
• MMUX (multiplexer with medium A/D internal envelope)
• SMUX (multiplexer with slow A/D internal envelope)
• FDMX (demultiplexer with fast A/D internal envelope)
• MDMX (demultiplexer with medium A/D internal envelope)
• SDMX (demultiplexer with slow A/D internal envelope)
• MIXER (mix 1-4 possible waves)
• SCOPE (oscilloscope analyzer)
• MASTER (fancy DAC~)
• BOX (useless decorative module)

NoxSiren integrated modules menu system.

@jancsika The very small square inside my A square is not a problem. I can make it 1x1 pixel. The problem is the additional blue squares outside my A square GUI object. I understand the purpose of those but when i move pixel by pixel the entire A square it blocks my view. Maybe instead of removing them (that seem tricky) you can add some alpha general property that all additional blue squares become a little bit transparent. On the other hand i really like the dropdown object (very handy stuff) + i see Purr Data as a great improvement over Vanilla. Many thanks and for now i will manage somehow.

Nek'Sum-6 drone/texture monophonic synthesizer is compose of 5 stages :

First stage -> 3 main OSC with noise mixer option and generative synthesis support with 5 types of waves (tri,sqr,saw,supersaw,generative).
Second stage -> Filter stage with morph option and 4 filters types : Pass through, Lowpass, Highpass, Bandpass for the first stage.
Third stage -> 3 LFO (sin,tri,sqr,saw) modulators for the second stage.
Forth stage -> 3 Phasor's for the third stage.
Fifth stage -> 1 Deep Reverb with Lowpass filter for the forth stage.

It is capable of generating a large soundscape of drone/texture sounds inspired by The Doctor.

-UPDATE-
Thanks to Seven of Nine Nek'Sum is now at version [v6.0]

• Added Mandarin edition after cyber-brainstorming with Jade Chia-Jung [v6.0].
• Translation of the Ancient Egyption logo into obscure dialect of Anquietas language, thanks to Daniel Jackson [v6.0].
• Thanks to Nox cyberart society now the GUI is much better [v5.0].
• Added reset, randomization and resize for the generative synthesis [v5.0].
• Added generative synthesis support for each oscillator [v4.0].
• Added a noise mixer with 4 types of noise for each oscillator (orange,yellow,blue,pink) [v3.0].
• Added a morphing mechanism for filter stage [v3.0].
• This new version has a better GUI interface powered by a Borg-Casimir engine [v2.0].

-CYBERLOG-

Project manager : Oma Desala
Programming/UX design : Boran Robert Andrei
QA engineer : Anubis
Generative synthesis system design/Lead engineer : Seven of Nine
DSP engineering : Jade Chia-Jung, The Doctor
Testing/debugging system engineer : Lt. Colonel Samantha Carter
Language consultant : Daniel Jackson

Patch Download English Edition :
Nek'Sum 6.rar
Nek'Sum 5.rar
Nek'Sum 4.rar
Nek'Sum 3.rar
Nek'Sum2.rar
Nek'Sum.zip

Patch Download Mandarin Edition :
Nek'Sum 6 - Mandarin Edition.rar

Mandarin special edition :

Snapshots :

Hello friends,

I was trying to make a virtual instrument patch playable via midi and that uses wav samples of each note of a real instrument.
Normally each sample would be called C1.wav C#1.wav D1.wav and so on, I've made a patch to transform from midi note number to note file name so it could fit into a message going to soundfiler like "read -resize $1 array1" where $1 is the name of the corresponding wav file.

It seems to be working, with the only flaw that it doesn't sound as immidiate, I think loading the file in the moment of the note being pressed creates a delay.

As workaround I was wondering if there was a more efficient way of managing the samples?

As I'm writing I've just thought I could load a really long array that stores all the notes wav files in consecutive order, and then just use math to play the segment that corresponds to the note. Would that imply it'll be monophonic though?

A last resort would be copying and paste the single voice with the soundfiler 36 times, one for each sample, and have them preload on start. But I'm sure there's a more elegant solution!

Thank you in advance, I feel both blessed and damned now that I've put myself into this puredata rabbithole

A

Hi Everyone,

I would like to use sigmund~ to trigger a sound through adc~
So when there is a signal between 100Hz-349HZ (with some amplitude value) it will trigger 2.wav
and 350Hz-1000Hz (with some amplitude value) it will trigger 3.wav 3.wav 2.wav
Thx in advance.

@beem PWM (Pulse-Width-Modulation) for the square/pulse wave. It affects the duty cycle of the wave. You can also make a shifting wave where you can smoothly transition from one shape type to another but this is a far more complex non-standard wave. I use only basic standard waves. It is also possible to combine this standard waves to have something more complex..

For example I have five different sounds: sound1.wav, sound2.wav, sound3.wav, sound4.wav, sound5.wav.
I want to play sound2.wav after sound1.wav has finished playing. The same for the following sounds.

How to do this in pd?

Hi there,

I have two quesitons:

I want to upload a ton of .wav files into a folder and play them randomly. What is the best way to proceed?
So far I called them 1.wav, 2.wav, 3.wav, I create a random number and call the file $.wav ... but this can become exhausting, and more than that, see question 2

I wanted in question 1 to be able to play a file with a random name (e.g. "random guy from puredata forum yelling.wav") and having the name of that track printed. So far I was thinking of using names of approach 1, and have a stored .txt file with the "real name" of the track and have it printed, but i can't neither do this.

Thanks in advance for your support
Nando

@4ZZ4 Sorry about the [t b f] and [notein].... it was a rush job.
[route float list symbol] is a bit special.
If you send [34 12( into [route 34 12] you will get a bang on the left outlet for 34 and one on the middle outlet for 12.
If you send it into [route float list] you will get 34 followed by 12 on the first outlet and 34 12 on the middle.
If you send [woof 23( into [route woof] you will get 23 on the left outlet.
If you send [woof 23( into [route symbol float] you will get woof on the left and 23 on the middle.

I think that is all correct. You can check it out in the [route] help file.
There is weird stuff going on that can be a pain and can be useful. Some of it is really weird.
But essentially [route] strips the tag of the atom with [route symbol list float] and sends on the atom but [route woof lala] or [route 34 35 36] strips that part and sends on what follows.

woof in the actual message is actually "symbol woof" in the internal message
34 35 36 is actually "list 34 35 36"
and 23 is actually "float 23" in the internal message.
The internal message is "tag something something something....... something]..... and float, symbol, pointer and list are the common tags.
http://puredata.info/docs/manuals/pd/x2.htm is good bedtime reading..... but don't worry about chapter 2.9 for a while.
David.

This is my latest patch:

prac.pd

sampler.pd

It needs any wav file beginning with a number such as "1.wav".

The problem I'm having is that it doesnt run efficiently and Im not sure what to do.
It plays back a sound file but when I need to load another file the whole patch freezes so much so that it stops the audio play for a moment. Its very annoying becuase I've spent a long time figuring out the patch and now It works it at the same time doesnt. Please may I have some help improving this to make it usable?

Many thanks,

J
Here are the samples I'm using with the patch
2.wav.zip 1.wav.zip