Nhập cư Châu Âu vĩnh viễn thông qua chương trình định cư Síp

Đầu tư định cư Síp chính là con đường giúp nhà đầu tư nhập cư Châu Âu vĩnh viễn và sở hữu quốc tịch Châu Âu - Thẻ xanh Châu Âu nhanh nhất.

Đôi nét về quốc đảo Síp

Síp (Cyprus) là đảo quốc nằm giữa biển Địa Trung Hải với khí hậu nắng ấm quanh năm và những bãi biển tuyệt đẹp. Cộng hòa Síp nằm giữa các lục địa của châu Âu (phía đông Hy Lạp), Châu Phi (phía bắc Ai Cập), và Châu Á (phía nam Thổ Nhĩ Kỳ và phía tây Syria và Li băng). Với diện tích khoảng 9,251 kilomet vuông, đây là hòn đảo lớn thứ ba ở Địa Trung Hải.

Đảo Síp là hòn đảo lớn thứ 3 ở Địa Trung Hải

Đảo Síp là hòn đảo lớn thứ 3 ở Địa Trung Hải và là địa điểm thu hút lượng lớn khách du lịch từ khắp nơi trên thế giới. Hơn nữa cộng hòa Síp còn có nhiều bệnh viện tư nhân hiện đại cung cấp dịch vụ khám chữa bệnh, dịch vụ y tế và phẫu thuật. Các bệnh viện này tọa lạc ở khắp nơi trên khắp đất nước.

Chất lượng cuộc sống tại đảo Síp rất lý tưởng nhưng chi phí sinh hoạt tại đây lại khá rẻ, rẻ hơn nhiều so với các nước Anh Quốc. Đây chính là lý do khiến đảo Síp được lựa chọn là nơi đầu tư định cư Châu Âu. THẺ XANH CHÂU ÂU giá TỐI THIỂU của các nhà đầu tư.

Đầu tư định cư Síp – Con đường nhập cư Châu Âu vĩnh viễn
Chương trình đầu tư lấy quốc tịch đảo Síp là cách đơn giản và hiệu quả nhất để nhà đầu tư được cấp quốc tịch Liên minh châu Âu và nhập cư Châu Âu vĩnh viễn. Đây là chương trình duy nhất cho phép nhà đầu tư lấy ngay quốc tịch châu Âu trong 90 ngày mà không cần phải đáp ứng bất kỳ yêu cầu nào về thời gian cư trú. Đặc biệt, nhà đầu tư và các thành viên trong gia đình được hưởng đủ mọi quyền lợi của công dân châu Âu, bao gồm quyền được sinh sống và làm việc ngay lập tức tại bất kỳ quốc gia thành viên nào thuộc khối châu Âu.

Đầu tư định cư Síp – Con đường nhập cư Châu Âu vĩnh viễn

Đặc biệt, hộ chiếu của Síp được miễn Visa ở 158 nước trong đó có Anh, Úc, Mỹ,  Hồng Công..  thuộc loại hộ chiếu có quyền lực hàng đầu thế giới. Đảo Síp còn là thành viên liên minh EU và khối Schengen nên người có hộ chiếu Síp sẽ được xem như là một công dân EU thực thụ, có quyền sống, đi lại, học tập và làm việc tại 27 nước như Pháp, Đức, Bỉ..Hiện hộ chiếu Việt Nam chỉ mới được 48 nước miễn thị thực, xếp thứ 78/104 nước chỉ ngang với cộng hòa Trung Phi hay Turkmenistan. Vì vậy việc đầu tư định cư để lấy hộ chiếu Síp giúp công dân Việt Nam thuận lợi trong việc đi lại, sinh sống, học tập và làm việc.

Cho đến thời điểm hiện tại, Chính phủ Việt Nam và Chính phủ Cộng hòa Síp vẫn chưa có một ký kết nào liên quan đến việc miễn thị thực nhập cảnh cho công dân cả hai nước đảo Síp và Việt Nam. Do đó, nếu công dân Việt Nam muốn đến Cyprus du lịch hay đi công tác cần phải xin visa Cộng hòa Síp.

Nếu bạn cảm thấy hứng thú với bài viết của chúng tôi thì có thể tham khảo thêm bài viết: Đầu tư định cư Quốc tế và những điều bạn cần biết

and this is what i get after cloning the repository and trying to build

fremen@fremenCPU MINGW64 /c/purr-data
$ git clone https://git.purrdata.net/jwilkes/purr-data.git
Cloning into 'purr-data'...
remote: Counting objects: 47163, done.
remote: Compressing objects: 100% (22028/22028), done.
remote: Total 47163 (delta 24626), reused 46952 (delta 24468)
Receiving objects: 100% (47163/47163), 67.66 MiB | 1.09 MiB/s, done.
Resolving deltas: 100% (24626/24626), done.
Checking out files: 100% (17854/17854), done.

fremen@fremenCPU MINGW64 /c/purr-data
$ cd purr-data/l2ork_addons

fremen@fremenCPU MINGW64 /c/purr-data/purr-data/l2ork_addons
$ ./tar_em_up.sh -Z
Fetching the nwjs binary from
https://git.purrdata.net/jwilkes/nwjs-binaries/raw/master/nwjs-sdk-v0.22.1-mingw64_nt-10.0-x64.tar.gz
https://git.purrdata.net/jwilkes/nwjs-binaries/raw/master/nwjs-sdk-v0.22.1-mingw64_nt-10.0-x64.tar.gz:
2018-04-04 15:24:28 ERROR 404: Not Found.
./tar_em_up.sh: 203: command failed with exit code 8, exiting now.
./tar_em_up.sh: 203: wget -nv $nwjs_url

Hi All
A little bit of work to set up but forget midi mapping...google it if you dont believe me.
After a lot of time spent trying to get a simple but sophisticated way (using a minimal 8 button floorboard) to control Live on w10, I thought I would share this particular solution to possibly help others (especially after the help offered here on this forum). I tried a number of scenarios, even buying Max 4 Live, but it turns out a lot simpler than that. It needs 3 main areas set

FOOT CONTROLLER BEHAVIOURS/GESTURES
Create pd patch that gives you 'behaviours' per switch. Ill be happy to share mine but Im just cleaning them up atm.
eg I have 4 standard behaviours that dont take too much time to master

1. Action A: A quick click (less than 500ms) Always the primary action
2. Action B: Long click ie 1 click down and pedal up after 500ms. I use this eg always as a negative ramp down for things like lowering volume but if its just held down and released in a natural way, it is the secondary action of the switch
3. Action C: 3 Click ie 1 quick down, up and then hold down. I use this for a positive ramp eg as volume up
   4 Actiion D: Double click, Always a cancel
   These are all mapped to note/ctrl outs that match the 'Selected Track Control' below

PLUGIN
Use PD VST to create a plugin version of your patch. This is loaded into Live as a control track. Live manages the connection of your floor board etc into the actual track so you dont wrestle with the io. I always use track 1 for click (forget Live metronome, this is much more flexible and can have feel/swing etc) so I dedicate track 2 to control.
Use LoopMIDI to create a virtual midi cable that will go from this track and be fed into the remote script.

REMOTE SCRIPT: 'Selected Track Control'
Download latest from http://stc.wiffbi.com/
Install to live and make sure your notes/control conform.
Enable this as a control surface in live and connect midi in from the plugin. Think about giving the guy a donation...massive amount of work and he deserves it!

I use it to control 8 tracks x 8 scenes and is controlled by 3 switches

1. Scene control up and down (A = down, B = up)
2. Track control same as scene
3. Rec/Fire/Undo Volume up and down (A = fire/rec, B = Volume Down, C = Volume Up, D (Dbl Click) = Undo

The scenes and tracks wrap so there isnt too much foot tapping

There is quite a bit more to it of course...its and maybe no one else needs this but it would have saved me a couple of weeks of time so Im happy to help anyone wanting to achieve gigging without a massive floor rig and an easy way to map and remember.

HTH someone

Cheers
mark

@Pemega Sounds reasonable. But if you were to drive the solenoid both ways... on and off..... and add some mechanical hysteresis.... then you can bypass the problem completely. There was a patent in 1972 http://www.google.com/patents/US3683239 for this.
If they do not exist then all you would need to do (I know, it is never "that" easy) is to glue a small permanent magnet to the "on".... "down" side of the solenoid.
But they do exist...... try Googling "latching solenoid".......
If 1Kgf holding force and 10mm stroke will suffice........ https://www.ebay.co.uk/itm/BLP-Latching-Pull-Action-DC-D-Frame-Solenoid-10mm-stroke-12W-12Vdc-A1-3002500798/322919540231?hash=item4b2f812607:g:GLoAAOSwTf9ZWmss
The magnet needs to be powerful enough to "hold" the key return spring, and you might
need a sound damping buffer at the "stop"...... so a little more powerful again.
Repeat attempts at demagnetisation by the solenoid will mean that you need a permanent (nickel?) magnet..... something like what is used in a loudspeaker......
David

I'm converting a reed organ to be MIDI controlled, and I'm using solenoids to pull down on the keys. There's 88 solenoids total, and I'm going to be powering it with 2x 40A 12V power supplies.

The solenoid control circuit I'm using is this:

My problem is that each solenoid draws around 1.3A @ 12V. This results in very hot solenoids after less than a minute of being held down.

There are clever solenoid driver circuits that use a capacitor(http://www.kynix.com/Product/36.html) to give the solenoid the full power at first, then once the capacitor is charged (therefore no longer conducting DC power), power flows through a resistor that limits the current. However, this system needs time for the capacitor to discharge before being triggered again, and the capacitor has to be of a large value which would not work in this application well (my solenoid driver board design is dense enough at the moment... I want my component count to stay as low as possible). There are more complex circuits that get around the capacitor discharge problem using transistors and even more components (how they work is besides the point here) but again, I don't want many more components since every component gets multiplied by 88 circuits.

However, I think I have an idea for a solution, but I don't know if it would work. My idea is to PWM the raw power going into (all of) the existing circuits and then adding a single capacitor in parallel with my solenoid, like this:

Thus, when the MOSFET was triggered, this capacitor would get charged to 12V before discharging into the solenoid, making it fire. Now that the solenoid is down, the PWM power (lets say its 50% duty cycle, therefore equal to 6V) can keep it held down.

Is this idea completely flawed? If it is, any ideas? Thanks.

Hello,

one good thing about [dropdown] ... if you got a lot of entries it will automatically create a scrollbar.
But this scrollbar doesn't work as expected. If you left-click the scrollbar to do some scrolling - dropdown will collapse and select one of the first entries. clicking the up-down buttons will do the same.
Using the mousewheel to scroll down (when mouse is over the scrollbar) will work but if you move the mouse to the left to select an entry on the bottom of the list, dropdown will scroll up again.
If your patch-canvas has scrollbars and the dropdown-object has scrollbars and you try to select an entry with your up/down-arrow keyboardkeys, both the canvas and the dropdown will scroll. Moreover the selection of dropdown will jump 2 entries on one keypress.
Another thing i noticed: If you place the drop down on the bottom of a patch-window and you try to do a selection, the dropdown object doesn't "drop-up" so it's hard to select something.
Tof/ menubutton worked differently, it would open up the drop down list independently from the parent window.
It's nice to have mousewheel in a gui object now. would be cool for sliders too. Any chances we could have mousewheel for the ds-draw command? (just like mouseover 1..)
Heres a patch showing the dropdown bugs:

dropdown_test.pd

When I run the command prompt I get:

100% Complete...
grep: .pd: No such file or directory
grep: .pd: No such file or directory
grep: .pd: No such file or directory
cat: /root/pd-externals/pd2thoughtmap/res/HTMLHEADER.txt: Permission denied
cat: /root/pd-externals/pd2thoughtmap/res/IMAGEHEADER.txt: Permission denied
cp: cannot stat '/root/pd-externals/pd2thoughtmap/res/jquery.js': Permission denied
cp: cannot stat '/root/pd-externals/pd2thoughtmap/res/jquery_plantuml.js': Permission denied
cp: cannot stat '/root/pd-externals/pd2thoughtmap/res/rawdeflate.js': Permission denied
pd2thoughtmap/pd2thoughtmap: line 253: defaultbrowser: command not found

Creates music scales using simple lists or by sending new pitches to individual notes. The more creation arguments there are, the more inlets there will be. It sends a frequency value through the 1st outlet and the unaltered midi value through the 2nd outlet.

• [muse 40 4 7]
  • Sending 0, 1, 2 returns 40, 44, 47 respectively.
  • The scale cycles through higher and lower octaves
    • 3, 4, 5 returns 52, 56, 59
    • -1, -2, -3 returns 35, 32, 28

functions:

• [list | l | d | x | i ..(
  • Takes a list of numbers and maps the values to the array.
  • Any non-numeric values are skipped over.
  • They're basically all the same function, with the differences being in their offsets and/or whether it should change the size of the scale implicitly based on list size.
    -- i is an implicit list, which changes the size of the scale based on the number of arguments specified.
    -- x is an explicit list, which means that it doesn't change the scale size because it's leaving that up to the user to change explicitly. This message is also good for changing the root note.
    -- list or l is the default list, and whether it interprets lists implicitly or explicitly is based on whether the toggle "exp" is set to 1 or 0. By default, lists are interpreted implicitly.
    -- d has an offset of 1. It's basically a short form of [list d ...( or, a list that skips the root note. Like a normal list, it also adheres to the "exp" toggle to determine whether it is implicit or explicit.

• [exp 1|0(
  • sets a boolean to determine whether or not scale size is implied in the size of lists sent.
  • if exp equals 1, scale size will not change, unless the list is preceded by i.
  • if exp equals 0, scale size will change, unless the list is preceded by x.

• [n $1(
  • sets the size of the scale.
    • the scale by default, with no creation arguments, is only 2 float values. This amount grows based on how many arguments are specified. but the array also resizes itself automatically to twice its original size whenever a size requested goes over the current maximum range.
    • the same doubling effect applies to lists with more arguments than the maximum scale size.
      -- [muse 40 2 4 5 7 9 11] has 7 floats worth of bytes reserved for the scale.
      -- upon receiving [n 16(, since 16 is greater than (7 x 2), scale is resized to hold 16 floats.
      -- upon receiving [n 17(, scale is resized to hold 32 floats. This doesn't mean the scale uses all 32 notes, but the space is now reserved if you ever decide to increase the scale size later.

• [set $2 $1(
  • scale is assigned the value $1 at index $2.
    -- [set 6 11( set the 6th interval to 11.

• [ref $1(
  • sets the reference pitch of middle A.
    -- default value is 440.

• [tet $1(
  • assign the number of tones in an octave.
    -- tones refer to how large a semi-tone needs to be in order to evenly disperse an octave into a specific amount of distinct pitches.

• [oct $1(
  • assign the number of notes in an octave.
    -- notes refer to the number of semi-tones that the scale should jump when going to the next or previous octave.

• [octet $1( / [ot $1(
  • assigns # of notes and # of tones simultaneously

• [peek label(
  • prints the current scale.
  • a label is optional.

• [ptr label(
  • prints the current size of the float pointer that your scale uses. It isn't necessarily the same size as the scale itself.

muse-chrd.zip

Thanks man, I was just getting ready to edit the thing so I could have multiple instances and just add a route to the first inlet so that I could make some random note patterns or not random note patterns I guess sort of like having a structured set of notes with 2 or more sequencers and then change to another cord or mode with all that nesting ought to be pretty nice to jam along with. also recorded a 3 hour jam with 2 sequencers last night. I accidently closed my fractal sequencer sometime during the first hour, i was just getting ready to mess with the synths and get them dialed in to the sound I wanted after getting all the instruments tuned, the microphone , good and grounded as well as the headphones. The tuning is mostly 22edo or modes od 22edo since my piano is mostly tuned to a 12of22 whitekeys porcupine[7] and black keys superpyth[5] the piano actually needs a good tuniong going over but it was still fun to jam with the synth sequences being perfectly in tune to porcupine15circ which is what I named MEANTONE-KILLER accidently. so the4 synth starts out in 22edo then porcupine15 then porcupine[7]. The piano is somewhat tuned to 12of22, all the instruments are fretless but I have markers on them. It was mostly just having fun recording and learning some modes and seeing how tihs mixed mode tuning works, porcupine is cool because you can play it in 22 or 15 edo and it sounds great. I even playd in 7edo and also some JI overtop of it while I was listening to the new lite version of xensynth. definately the most fun I've had recording in quite some time.

Edit: This post was originally written with Pd-extended 0.43 in mind. These days there is a nice little plugin called Deken that you can use to easily download and install most of the popular libraries in Pd. It comes bundled with recent versions of Pd-vanilla. You can still use namespaces to load up the objects for most libraries, but for some libraries like zexy that have all the objects bundled into a single file, you will still need to use [declare] to load it up.

Installing libraries and plug-ins isn't so obvious. This guide will hopefully clear up the process, and may even explain more than you need to know.

Recent changes

This first section is mainly for those upgrading to Pd-0.43 from previous versions. If you're new to Pd and are starting on 0.43, you can just skip this section and get on with loading libraries.

It use to be that installing a library was done by putting it wherever you wanted on your system and adding its path to the preferences. While this wasn't particularly difficult, it did have some problems. Recent efforts have been made to standardize this a bit so those problems can be avoided.

In Pd-extended 0.43, you can't add paths from within Pd any more like you used to. You can open the preferences and add a path, but it won't save it. This means that non-default libraries won't load on start-up any more; you have to load them from within the patch. While this sounds like a hassle, it does have the advantage that patches are much easier to share. You don't have to worry about others having different start-up settings than you. It also forces the patch to document what libraries are being used, so if an object isn't loading, you don't have to go on some crazy hunt to find out where it came from or what it's supposed to do.

Putting them in the right folder

To make sure Pd can easily find the library, you need to put them in the right folder. This is OS dependent. The following folders are your options (taken from here). I personally recommend putting them in the user-specific folders since they are likely easier to migrate when updating your OS.

Linux:

User-specific:
~/pd-externals

Global:
/usr/local/lib/pd-externals

Mac OSX

User-specific:
~/Library/Pd

Global:
/Library/Pd

Windows

User-specific:
%AppData%/Pd

Global:
%CommonProgramFiles%/Pd

Linux and OSX are pretty straight-forward. "~" means your home folder.

Windows is a bit trickier. %AppData% and %CommonProgramFiles% are environment variables that contain specific directories. What the exact directory is depends on which version of Windows you are on. You can find out what it is by opening up the command line and typing this:

echo %AppData%

You might end up with something like C:\Users\username\AppData\Roaming or C:\Documentes and Settings\username\Application Data. Also, to see it in the file browser, you might need to show hidden files. At any rate, once you find the directory, create a Pd folder if there isn't one, and put your library, objects, or plug-ins there.

Loading whole libraries

To load a library you have a few options. The one that works on both vanilla and extended is to use [declare -stdpath libraryname]. The libraryname is the name of the folder that all the objects/abstractions are in.

[declare] doesn't always work as expected in abstractions, though. In Pd-extended, you can also use [import], which works well in abstractions. I have found that sometimes it doesn't work with libraries of abstractions that don't have a meta file, though. But that can be fixed by just making one. Simply create an empty Pd patch and save it as libraryname-meta.pd in the library's folder. That's all the meta patch is.

A third option (also Pd-extended only) is to use [path]. This is new to Pd-extended 0.43 and works similarly to [declare]. I haven't needed it, yet. But it's there.

Once the library is loaded, you should be able to load an object or abstraction just by creating it by name.

Loading objects or abstractions using namespaces

While this method means a little more typing, it is also the safest, and it makes it easier to find out what objects are from which library. The way you do it is add the library name (i.e. the namespace) to the beginning of the object when you call it, like this:

[zexy/multiplex~] <-- load the [multiplex~] object from zexy
[cyclone/comb~] <-- load [comb~] from cyclone

You don't have to load the library with [import] or [declare] for this to work. You just call the object that way.

Why is this safest? Because it's possible for different libraries to have objects with the same name. For example, both cyclone and zexy have an object called [mean]. But they don't work exactly the same. zexy's takes a list, while cyclone's takes in a continuous stream. If you have both libraries loaded (and in Pd-extended, these two libraries happen to be loaded by default), you can't be sure which one you're getting if you just type [mean]. However, if you type [cyclone/mean], you know exactly which one you are getting.