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JASS, Just Another Synth...Sort-of, codename: Gemini (UPDATED TO V-1.0.1)

jass-v1.0.1( esp with midi fixes).zip

1.0.1-CHANGES:

• Fixed issues with midi routing, re the mode selector (mentioned below)
• Upgraded the midi mode "fetch" abstraction to be less granular
• Fix (for midi) so changing cc["14","15","16"] to "rnd" outputs a random wave (It has always done this for non-midi.)
• Added a midi-mode-tester.pd (connect PD's midi out to PD's midi in to use it)
• Upgrade: cc-56 and cc-58 can now change pbend-cc and mod-cc in all modes
• Update: the (this) readme

INFO: Values setting to 0 on initial cc changes is (given midi) to be expected.

JASS is a clone-based, three wavetable, 16 voice polyphonic, Dual-channel synth.

With...

• The initial, two wavetables combined in 1 of 5 possible ways per channel and then adding those two channels. Example: additive+frequency modulation, phase+pulse-modulation, pulse-modulation+amplitude modulation, fm+fm, etc
• The third wavetable is a ring modulator, embedded inside each mod type
• 8 wave types, including a random with a settable number of partials and a square with a settable dutycycle
• A vcf~ filter embedded inside each modulation type
• The attack-decay-release, cutoff, and resonance ranges settable so they immediately and globally recalculate all relevant values
• Four parameters /mod type: p1,p2, cutoff, and resonance
• State-saving, at both the global level (wavetables, env, etc.), as well as, multiple "substates" of for-each-mod-type settings.
• Distortion, reverb
• Midiin, paying special attention to the use of 8-knob, usb, midi controllers (see below for details)
• zexy-limiters, for each channel, after the distortion, and just before dac~

Instructions

Requires: zexy

for-entire-state

• O: Open preset. "default.txt" is loaded by...default
• S: Save preset (all values incl. the multiple substates) (Note: I have Not included any presets, besides the default with 5 substates.)
• SA: Save as
• TEST: A sample player
• symbol: The filename of the currently loaded preset
• CL: Clear, sets all but a few values to 0
• U: Undo CL
• distortion,reverb,MASTER: operate on the total out, just before the limiter.
• MIDI (Each selection corresponds to a pgmin, 123,124,125,126,127, respectively, see below for more information)
  • X: Default midi config, cc[1,7,8-64] available
  • M: Modulators;cc[10-17] routed to ch1&ch2: p1,p2,cutoff,q controls
  • E: Envelopes; cc[10-17] routed to filter- and amp-env controls
  • R: Ranges; cc[10-17] routed to adr-min/max,cut-off min/max, resonance min/max, distortion, and reverb
  • O: Other; cc[10-17] routed to rngmod controls, 3 wavetypes, and crossfade
  • symbol: you may enter 8 cc#'s here to replace the default [10-17] from above to suit your midi-controller's knob configuration; these settings are saved to file upon entry
• vu: for total out to dac~

for-all-mod-types

• /wavetable
  • graph: of the chosen wavetype
  • part: partials, # of partials to use for the "rn" wavetype; the resulting, random sinesum is saved with the preset
  • duty: dutycycle for the "du" wavetype
  • type: sin | square | triangle | saw | random | duty | pink (pink-noise: a random sinesum with 128 partials, it is not saved with the preset) | noise (a random sinesum with 2051 partials, also not saved)
• filter-env: (self-explanatory)
• amp-env: (self-explanatory)
• rngmod: self-explanatory, except "sign" is to the modulated signal just before going into the vcf~
• adr-range: min,max[0-10000]; changing these values immediately recalculates all values for the filter- and amp-env's scaled to the new range
• R: randomizes all for-all-mod-types values, but excludes wavetype "noise"; rem: you must S or SA the preset to save the results
• U: Undoes R

for-each-mod-type

• mod-type-1: (In all cases, wavetable1 is the carrier and wavetable2 is the modulator); additive | frequency | phase | pulse | amplitude modulation
• mod-type-2: Same as above; mod-type-2 May be the same type as mod-type-1
• crossfade: Between ch1 and ch2
• detune: Applied to the midi pitch going into ch2
• for-each-clone-type controls:
  • p1,p2: (self-explanatory)
  • cutoff, resonance: (self-explanatory)
• navigation: Cycles through the saved substates of for-each-mod-type settings (note: they are lines on the end of a [text])
• CP: Copy the current settings, ie. add a line to the end of the [text] identical to the current substate
• -: Delete the current substate
• R: Randomize all (but only a few) substate settings
• U: Undo R
• cut-rng: min,max[0-20000] As adr-range above, this immediately recalculates all cutoff values
• res-rng: min,max[0-100], same as previously but for q
• pbend: cc,rng: the pitchwheel may be assigned to a control by setting this to a value >7 (see midi table below for possibilities); rng is in midi pitches (+/- the value you enter)
• mod-cc: the mod-wheel may be assigned to a control [7..64] by setting this value

midi-implementation

cc - basic (for all midi-configs)

cc - "X" mode/pgmin=123

cc - Modes M, E, R, O

Jass is designed so that single knobs may be used for multiple purposes without reentering the previous value when you turn the knob, esp. as it pertains to, 8-knob controllers.

Thus, for instance, when in Mode M(pgm=124) your cc send the signals as listed below. When you switch modes, that knob will then change the values for That mode.

In order to do this, you must turn the knob until it hits the previously stored value for that mode-knob.

After hitting that previous value, it will begin to change the current value.

cc - Modes M, E, R, O assignments

Where [10..17] may be the midi cc #'s you enter in the MIDI symbol field (as mentioned above) aligned to your particular midi controller.

In closing

If you have anywhere close to as much fun (using, experimenting with, trying out, etc.) this patch, as I had making it, I will consider it a success.

For while an arduous learning curve (the first synth I ever built), it has been an Enormous pleasure to listen to as I worked on it. Getting better and better sounding at each pass.

Rather, than say to much, I will say this:

Enjoy. May it bring a smile to your face.

Peace through love of creating and sharing.

Sincerely,
Scott

Hello

If anyone can lend a pair of eyes on this abstraction it would be much appreciated,

I am building a text file to be later used with [text define -k $0-sequences]

The abstraction kind of works. but all of the information is one long line instead of each 16 digits separated line by line.

I also get this in the console.

$2: argument number out of range
$2: argument number out of range
$3: argument number out of range
$4: argument number out of range
$5: argument number out of range
$6: argument number out of range
$7: argument number out of range
$8: argument number out of range
$9: argument number out of range
$10: argument number out of range
$11: argument number out of range
$12: argument number out of range
$13: argument number out of range
$14: argument number out of range
$15: argument number out of range
$16: argument number out of range
$17: argument number out of range

This abstraction builds the text file by iterating through all of the possible sequences text files and using [add( message creates a "Master" sequence file which is displayed in the second screenshot.

Side Note*** I sometimes have to push the "Save Active Pat" button twice for it to work.

@whale-av Hello again, thank you very much for replying so quickly!

Ok so, the computer will always be a PC and will always have Pd installed so that makes things a lot easier I suppose (not sure what version it will be though, but since all those computers have only recently been equipped with Pd I'm assuming it's either vanilla or extended so it should be ok).
I just put my 17 sound files in the same folder and named them 1.wav ...... 17.wav. They are in the same folder as your patch now too.
Well, the numbers are not exactly "set", in fact, each sound file corresponds to a certain range of numbers. Ugh, I did it again, forgot to mention the range... Sorry..... I'd probably need a different object for a range... It's still kinda difficult for me to think in "computer" language about things related to music so that's why I'm forgetting to mention tons of stuff, but I'll try to fix that in this reply, sorry again!
I will just post the table to make it easier for you to understand.

But first, I would just like to explain how the table works. First I need to ask if it's possible to attribute the same numbers/range to different sound files, depending on the number's "place" within the combination? (You'll understand once you see the table.) Maybe it isn't and in that case I should think of a way to change the table according to what can be done?
So, there should be 13 numbers in total within the combination (13 numbers to type, like 13 empty slots waiting to be filled with numbers), but I said there are five sub-combinations. The first, second and fourth are 2 digit numbers, the third is a 3 digit number and the fifth is a 4 digit number. Obviously, three of these are 2 digit numbers, but the thing is I can't really choose the ranges (I have a set range for each sub-combination and can only try to figure out the easiest way to work with them) and the ranges are actually intertwined, So some numbers can be repeated, that's why I'm asking if the same numbers can be attributed to different sound files based on whether it's the first, second or fourth sub-combination. If that's too complicated or even impossible, I can only think of sacrificing a couple of sound files and just let the program play the same file twice instead.

Also important: is it possible to "condition" to program into playing a sound file based on the first combination, the first 2 digit number? Simply put through simple chords, say in the first combination you can type either 01 or 02, where 01 is A major and 02 is B major. Next, you can type in either 02 or 03, where 03 is E major (irrelevant right now), but 02 can be either D major or F sharp major (not A major like in the first combination), based on what the previous number was. If it was 01 (A major), then this time 02 will be D major, but if the first number was 02 (B major) then the 02 in the second combination should be F sharp major. IS something like this even possible, or do I need to figure out a way to go around this and alter my table? I CAN alter the table, but I can't work with the ranges of the combinations, or the number of the combinations, it must be 5.
Lastly, can different numbers be attributed to the same sound file based on their position within the combination?

Ok so finally here's the table, and I will just give you my current table so you can tell me if it's possible to do. I understand if it's too complicated and I need to change it! Maybe you can give me some tips on how to change it to make it the easiest to do in Pd.
1st SUB-COMBINATION
01-19 - 1.wav
20-22 - 2.wav
23-31 - 3.wav
2nd SUB-COMB.
01-03 - 4.wav (if the first was 01-19 or 20-22; or shorter, 01-22)
01-03 - 5.wav (if the first was 23-31)
04-06 - 6.wav
07-09 - 7.wav (if the first was 01-19)
07-09 - 8.wav (if the first was 20-31)
10-12 - 9.wav (if the first was 01-19)
10-12 - 10.wav (if the first was 20-22)
10-22 - 11.wav (if the first was 23-31)
3rd SUB-COMB.
900-975 - 4.wav (if the first was 01-19)
900-975 - 2.wav (if the first was 20-22)
900-975 - 12.wav (if the first was 23-31)
976-999 and 000-020 - 1.wav (if the first was 10-22)
976-999 and 000-020 - 13.wav (if the first was 23-31)
4th SUB-COMB.
01-09 - 7.wav (if the first was 01-19)
01-09 - 8.wav (if the first was 20-31)
10-69 - 14.wav (if the first was 01-19)
10-69 - 3.wav (if the first was 20-31)
70-99 - 6.wav (if the first was 01-22)
70-99 - 11.wav (if the first was 23-31)
5th SUB-COMB.
(this one is arbitrary so no matter what the last 4 numbers are, the sound file that is triggered should be based on the first combination, or something like that, so...)
xxxx - 15.wav (if the first was 01-19)
xxxx - 16.wav (if the first was 20-22)
xxxx - 17.wav (if the first was 23-31)

Now, I need to thank you if you had the patience to actually read all that and think about it..... I can only hope you could understand the idea, but please, if this is just too complicated, do tell me to change the table. Maybe, if you can or think I will understand, try to explain how the ranges work when playing sound files and how I can use that to my advantage to still keep all the sound files (or as many as possible) but make the thing easier to program.

Now I know I had a few more questions but I can't remember right now and I don't want to bombard you with everything all at once, I realize even this is way more than I could have asked for, you have been a huge help, really! Even if I don't entirely understand every single element of your patches, I did study them and used the help option like you advised me to, so I really am trying to get the hang of this. I completely understand if you just want to take a break from this if it's too complicated and time-consuming, I just ask that you give me some kind of feedback so I know what to expect!

Anyway, thank you for all your help and guidance until now, and for the guidance you'll provide in the future if you so choose!

Hi all. I'm off and running with a Pd project on my Mac, but apparently using my wacom intuos 3 tablet to its full extent is a lost cause on Mac, so I've decided to hook up a separate Linux machine to gather and send tablet data.

I've converted my evil Dell XP laptop to a sexy dual-boot Ubuntu Gutsy machine, my tablet is all installed and working with the latest driver from linuxwacom.sf.net, and Pd-Extended looks and works great. I'm using the 0.40.3 pd-extended package (I know it's unsupported, but all the issues below are identical when using the 0.39.3 release, which I tried first, so hopefully you'll indulge me anyway .

Problem is that the tablet and Pd still won't play nice together. When I use any of the linux event objects (hid, hidio, linuxevent) to open my tablet device (/dev/input/wacom), it gets most of the way there, which I can see because lots of good info shows up in the Pd console, but no events are actually generated, and I see errors in the terminal window from which I launched Pd:

evdev EVIOCGABS ioctl: Invalid argument

Can anyone help with this? I realize that this really concerns the event externals, but I'm flexible about using anything which will get the job done. If you let me know what info will help, I'll provide, and if there's any other way I can be generally helpful, let me know and I'll get right on it.

Thanks in advance,
Alex

Info which may be of use...

Here's the first line from my dmesg:
dmesg
[ 0.000000] Linux version 2.6.22-14-generic (buildd@terranova) (gcc version 4.1.3 20070929 (prerelease) (Ubuntu 4.1.2-16ubuntu2)) #1 SMP Tue Dec 18 08:02:57 UTC 2007 (Ubuntu 2.6.22-14.47-generic)

Here's what shows up in the terminal when I launch Pd via "sudo pd":
priority 8 scheduling enabled.
priority 6 scheduling enabled.
tk scaling is 1.33483483483
<init> : Avifile RELEASE-0.7.47-070916-12:47-4.1.3
<init> : Available CPU flags: fpu vme de pse tsc msr mce cx8 sep mtrr pge mca cmov pat clflush dts acpi mmx fxsr sse sse2 tm pbe up est tm2
<init> : 1200.00 MHz Intel(R) Pentium(R) M processor 1600MHz detected

Here's the errors which show up in the terminal when attempting to open /dev/input/wacom with any of the event objects:
evdev EVIOCGABS ioctl: Invalid argument
evdev EVIOCGABS ioctl: Invalid argument
evdev EVIOCGABS ioctl: Invalid argument
evdev EVIOCGABS ioctl: Invalid argument
(...lots more of this...)

Here's what shows up in the Pd console (looks good):
info: open 1
info: device 6
info: total 0
info: poll 25
info: range key btn_0 0 0
info: range key btn_1 0 0
info: range key btn_2 0 0
info: range key btn_3 0 0
info: range key btn_4 0 0
info: range key btn_5 0 0
info: range key btn_6 0 0
info: range key btn_7 0 0
info: range key btn_0 0 0
info: range key btn_1 0 0
info: range key btn_2 0 0
info: range key btn_3 0 0
info: range key btn_4 0 0
info: range key btn_0 0 0
info: range key btn_1 0 0
info: range key btn_2 0 0
info: range key btn_3 0 0
info: range key btn_4 0 0
info: range key btn_5 0 0
info: range key btn_6 0 0
info: range key btn_7 0 0
info: range key btn_10 0 0
info: range key btn_11 0 0
info: range key btn_12 0 0
info: range rel rel_wheel 0 0
info: range abs abs_x 0 54204
info: range abs abs_y 0 31750
info: range abs abs_rx 0 4096
info: range abs abs_ry 0 4096
info: range abs abs_rz -900 899
info: range abs abs_throttle -1023 1023
info: range abs abs_wheel 0 0
info: range abs abs_pressure 0 0
info: range abs abs_distance 0 0
info: range abs abs_tilt_x 0 0
info: range abs abs_tilt_y 0 0
info: range abs abs_misc 0 0
info: range msc msc_serial 0 0
info: vendorID 0x0026
info: productID 0x01e9
info: name Wacom Intuos3 6x11

eom