Currenty outputs no sound?

input channels = 0, output channels = 0
input channels = 0, output channels = 0
tried /Applications/Pd-extended.app/Contents/Resources/extra/libdir/libdir.pd_darwin and succeeded
tried /Applications/Pd-extended.app/Contents/Resources/extra/vanilla/list.pd_darwin and succeeded
tried ./extra.pd_darwin and failed
tried /System/Library/Fonts/extra.pd_darwin and failed
tried /Library/Fonts/extra.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/extra.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/extra.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/extra.pd_darwin and failed
tried /Users/joelnash/Library/Pd/extra.pd_darwin and failed
tried /Library/Pd/extra.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra.pd_darwin and failed
tried ./extra/extra.pd_darwin and failed
tried /System/Library/Fonts/extra/extra.pd_darwin and failed
tried /Library/Fonts/extra/extra.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/extra/extra.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/extra/extra.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/extra/extra.pd_darwin and failed
tried /Users/joelnash/Library/Pd/extra/extra.pd_darwin and failed
tried /Library/Pd/extra/extra.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra/extra.pd_darwin and failed
tried ./extra/extra-meta.pd and failed
tried /System/Library/Fonts/extra/extra-meta.pd and failed
tried /Library/Fonts/extra/extra-meta.pd and failed
tried /Users/joelnash/Library/Fonts/extra/extra-meta.pd and failed
tried /usr/X11R6/lib/X11/fonts/TTF/extra/extra-meta.pd and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/extra/extra-meta.pd and failed
tried /Users/joelnash/Library/Pd/extra/extra-meta.pd and failed
tried /Library/Pd/extra/extra-meta.pd and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra/extra-meta.pd and succeeded
tried ./pdlua.pd_darwin and failed
tried /System/Library/Fonts/pdlua.pd_darwin and failed
tried /Library/Fonts/pdlua.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/pdlua.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/pdlua.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/pdlua.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra/pdlua.pd_darwin and failed
tried /Users/joelnash/Library/Pd/pdlua.pd_darwin and failed
tried /Library/Pd/pdlua.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/pdlua.pd_darwin and failed
tried ./pdlua/pdlua.pd_darwin and failed
tried /System/Library/Fonts/pdlua/pdlua.pd_darwin and failed
tried /Library/Fonts/pdlua/pdlua.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/pdlua/pdlua.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/pdlua/pdlua.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/pdlua/pdlua.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra/pdlua/pdlua.pd_darwin and failed
tried /Users/joelnash/Library/Pd/pdlua/pdlua.pd_darwin and failed
tried /Library/Pd/pdlua/pdlua.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/pdlua/pdlua.pd_darwin and succeeded
tried ./tclpd.pd_darwin and failed
tried /System/Library/Fonts/tclpd.pd_darwin and failed
tried /Library/Fonts/tclpd.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/tclpd.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/tclpd.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/tclpd.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/extra/tclpd.pd_darwin and failed
tried /Users/joelnash/Library/Pd/tclpd.pd_darwin and failed
tried /Library/Pd/tclpd.pd_darwin and failed
tried /Applications/Pd-extended.app/Contents/Resources/Scripts/../extra/tclpd.pd_darwin and failed
tried ./tclpd/tclpd.pd_darwin and failed
tried /System/Library/Fonts/tclpd/tclpd.pd_darwin and failed
tried /Library/Fonts/tclpd/tclpd.pd_darwin and failed
tried /Users/joelnash/Library/Fonts/tclpd/tclpd.pd_darwin and failed
tried /usr/X11R6/lib/X11/fonts/TTF/tclpd/tclpd.pd_darwin and failed
tried /System/Library/Frameworks/JavaVM.framework/Versions/1.5.0/Home/lib/fonts/tclpd/tclpd.pd_darwin and

i implemented a third voice + a scale change from @weightless. the concept of the third voice is that the second voice gets transformed to the third voice after it is played. if the third voice is not deleted by new living cells the third voice disappears after it is played. (the voices send only midi values at the moment, its without soundsynthesis...) : conway_2.0e_test.zip

@Fauveboy said:

but then if I load the subpatch gridSampler 1 and all the $1 inside are 1 what does that mean for the pd voice and the numbers it gets?

if the "pd voice" instances are subpatches (like they are now), they argument for gridSampler is passed down to them as well. You can see this if you open one of the pd voice subpatches, they are called "voice (1)".

@Fauveboy said:
is it possible for it still to read the array from gridSampler 1?

If you turn the pd voice into an abstaction, it is still possible to read from the same table that is located in the gridSampler patch. The problem you have here, as far as my understanding goes, is not that the subpatches are addressing the same table, but that they are doing so with the same phases. To solve this I think you need abstractions for the voices, and the reading mechanism for each of them (aka the note each voice plays) needs to be unique, and you do that by using $0 inside the voice abstractions.

Thanks for the tutorial! It did help me gain further insight with [poly].

Still, there are situations in which it remains difficult to work with polyphonic MIDI. Especially when the notes change (at random or by calculations). Fairly easy to get “hanging notes” if [poly]’s voices get mixed up.

Here’s a patch which gets stuck notes with polyphonic input:
poly-hanging.pd

Poly does the right thing when it can keep track of the voices, but it doesn’t send the correct note off message if the voice has changed. Tried storing the note number in a [float] and banging it at note off. In that case, it does stop the note when the key is pressed again in the right order. But it’s still far from the desired outcome.

Eventually, this is part of a project to have rotating notes under an incoming melodic line (the “Michael Brecker Effect”). Funnily enough, it was based on polyphonic support by the Oberheim Xpander.

Been documenting my previous attempts elsewhere in the forums.

Any help would be appreciated!

http://www.2shared.com/photo/mA24_LPF/820_am_July_26th_13_window_con.html

I conceptualized this the other day. The main reason I wanted to make this is because I'm a little tired of complicated ableton live. I wanted to just be able to right click parameters and tell them to follow midi tracks.

The big feature in this abstract is a "Midi CC Module Window" That contains an unlimited (or potentially very large)number of Midi CC Envelope Modules. In each Midi CC Envelope Module are Midi CC Envelope Clips. These clips hold a waveform that is plotted on a tempo divided graph. The waveform is played in a loop and synced to the tempo according to how long the loop is. Only one clip can be playing per module. If a parameter is right clicked, you can choose "Follow Midi CC Envelope Module 1" and the parameter will then be following the envelope that is looping in "Midi CC Envelope Module 1".

Midi note clips function in the same way. Every instrument will be able to select one Midi Notes Module. If you right clicked "Instrument Module 2" in the "Instrument Module Window" and selected "Midi input from Midi Notes Module 1", then the notes coming out of "Midi Notes Module 1" would be playing through the single virtual instrument you placed in "Instrument Module 2".

If you want the sound to come out of your speakers, then navigate to the "Bus" window. Select "Instrument Module 2" with a drop-down check off menu by right-clicking "Inputs". While still in the "Bus" window look at the "Output" window and check the box that says "Audio Output". Now the sound is coming through your speakers. Check off more Instrument Modules or Audio Track Modules to get more sound coming through the same bus.

Turn the "Aux" on to put all audio through effects.

Work in "Bounce" by selecting inputs like "Input Module 3" by right clicking and checking off Input Modules. Then press record and stop. Copy and paste your clip to an Audio Track Module, the "Sampler" or a Side Chain Audio Track Module.

Work in "Master Bounce" to produce audio clips by recording whatever is coming through the system for everyone to hear.

Chop and screw your audio in the sampler with highlight and right click processing effects. Glue your sample together and put it in an Audio Track Module or a Side Chain Audio Track Module.

Use the "Threshold Setter" to perform long linear modulation. Right click any parameter and select "Adjust to Threshold". The parameter will then adjust its minimum and maximum values over the length of time described in the "Threshold Setter".

The "Execution Engine" is used to make sure all changes happen in sync with the music.

IE>If you selected a subdivision of 2, and a length of 2, then it would take four quarter beats(starting from the next quarter beat) for the change to take place. So if you're somewhere in the a (1e+a) then you will have to wait for 2, 3, 4, 5, to pass and your change would happen on 6.

IE>If you selected a subdivision of 1 and a length of 3, you would have to wait 12 beats starting on the next quater beat.

IE>If you selected a subdivision of 8 and a length of 3, you would have to wait one and a half quarter beats starting on the next 8th note.

http://www.pdpatchrepo.info/hurleur/820_am,_July_26th_13_window_conception.png

Keeping track of note-ons and note-offs for a polyphonic synth can be a pain. Luckily, the [poly] object can be used to take care of that for you. However, the nuts and bolts of how to use it may not be immediately obvious, particularly given its sparse help patch. Hopefully this tutorial will clarify its usefulness. It will probably be easier to follow along with this explanation if you open the attached patch. I'll try to be thorough, which hopefully won't actually make it more confusing!

To start, [poly] accepts a MIDI-style message of note number and velocity in its left and right inlets, respectively...

[notein]
| \
[poly 4]

...or as a list in it left inlet.

[60 100(
|
[poly 4]

The first argument is the maximum number of voices (or note-ons) that [poly] will keep track of. When [poly] receives a new note-on, it will assign it a voice number and output the voice number, note number, and velocity out its outlets. When [poly] gets a note-off, it will automatically match it with its corresponding note-on and pass it out with the same voice number.

By [pack]ing the outputs, you can use [route] to send the note number and velocity to the specified voice. For those of you not familiar, [route] will take a list, match the first element of the list to one of its arguments, and send the rest of the list through the outlet that goes with that argument. So, if you have [route 1 2 3], and you send it a list where the first element is 2, then it will pass the rest of the list to the second outlet because 2 is the second argument here. It's basically a way of assigning "tags" to messages and making sure they go where they are assigned. If there is no match, it sends the whole list out the last outlet (which we won't be using here).

[poly 4]
| \ \
[pack f f f] <-- create list of voice number, note, and velocity
|
[route 1 2 3 4] <-- send note and velocity to the outlet corresponding to voice number

At each outlet of [route] (except the last) there should be a voice subpatch or abstraction that can be triggered on and off using note-on and note-off messages, respectively. In most cases, you'll want each voice to be exact copies of each other. (See the attached for this. It's not very ASCII art friendly.)

The last thing I'll mention is the second argument to [poly]. This argument is to activate voice-stealing: 1 turns voice-stealing on, 0 or no argument turns it off. This determines how [poly] behaves when the maximum number of voices has been exceeded. With voice-stealing activated, once [poly] goes over its voice limit, it will first send a note-off for the oldest voice it has stored, thus freeing up a voice, then it will pass the new note-on. If it is off, new note-ons are simply ignored and don't get passed through.

And that's it. It's really just a few objects, and it's all you need to get polyphony going.

[notein]
| \
| \
[poly 4 1]
| \ \
[pack f f f]
|
[route 1 2 3 4]
| | | |
( voices )

http://www.pdpatchrepo.info/hurleur/poly_tutorial.mmb.pd

April 6, 7, 8 2011
11:00-19:00
Xth Sense &#8211; biophysical generation and control of music

@NK
Elsenstr. 52/
2.Hinterhaus Etage 2
12059 Berlin Neukölln

FULL PROGRAM: http://www.nkprojekt.de/xth-sense-%E2%80%93-biophysical-generation-and-control-of-music/

~ What

The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music. It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).
Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy. Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in
electronics is required.

The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

~ How

Firstly, participants will be introduced to the Xth Sense Technology by its author and led through the assembling of their own biosensing wearable hardware using the materials provided.
Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.

Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.

Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event. At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

~ Perspective participants

The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance. Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience. No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

Participation is limited to 10 candidates.
Preregistration is required and can be done by sending an email to info@nkprojekt.de

Requirements and further info
Participants need to provide their own headphones, soundcards and laptops with Pd-extended already installed.

Musicians interested in augmenting their favourite musical instrument by means of body gestures are encouraged to bring their instrument along. More information about the Xth Sense and a video of a live performance can be viewed on-line at

http://res.marcodonnarumma.com/projects/xth-sense/
http://marcodonnarumma.com/works/music-for-flesh-ii/
http://marcodonnarumma.com/teaching/

Dates
6-7-8 April, 11.00-19.00 daily (6 hours sessions + 1 hour break)

Fee
EUR 90 including materials (EUR 15).

Contact
Marco Donnarumma
m[at]marcodonnarumma.com
http://marcodonnarumma.com

I get around the cords by sends and receives. When I create a voice I create it with arguments name and parent id

[voice v1 $0]

The only inlets voice has are for note and velocity.

From within voice I can access stuff from the parent
for instance $2modfactor would reference parents $0modfactor
so I can change $0modfactor in the main patch and all the voices will receive the value.

For the voices local sends use

Lets say you want all the voices to use the same table for an lfo table.

you would use [tabosc~ $2lfo] inside the voice
and inside the main patch the tables name is $0lfo
you can even trigger the lfo in each voice so that it is gated on by noteon or have it free running. Each voice could in effect scale the frequency of the lfo by some parameter like kbd note tracking. It gets a little complicated trying to keep up with what all is going on but I think it is simpler than having so many wires.

i have a problem, that i cannot figure out:
say, i have a synth with two osc's, each of them have for example 3 voices. now i want osc 1 to modulate osc 2's frequency by a constant amount of - for example - 100.
now, it seems that i have to use 3 multipliers and 3 signal cords, so that every voice of osc 1 can be multiplied by 100 and then routed to it's voice-"twin" of osc 2.
in my case i have 12 voices and i want to add some other modulation sources and targets, so you can imagine, that i'd run into problems, if i have to use millions of cords for a modulation matrix.
is there any way around this?
i know, a comparison to reaktor is not possible - but in reaktor the voices are all transported via one cable and automatically routed to their target.
in pd, the routing of messages is pretty easy but i have no clue how i could build a signal bus transporting 3 or more signals with a voice index.
can someone help?

edit: i tried conversion from signal to message domain to benefit from the packing and routing options from at messages, but operations on a bus have to be done with list objects/abstractions - this is unbelievable cpu hungry. i attached a patch with two different signal sources, but it takes about 30 percent of cpu usage on my machine.

http://www.pdpatchrepo.info/hurleur/test_bus.pd

Hi all,

As the title suggests, does anyone know how to get some terminal data into a useable form in Pd?

Terminal command via [shell]
lsof -c Terminal

Comes back with

COMMAND PID USER FD TYPE DEVICE SIZE/OFF NODE NAME
Terminal 320 sergery cwd DIR 14,2 1224 389127 /Users/sergery
Terminal 320 sergery txt REG 14,2 1089648 138776 /Applications/Utilities/Terminal.app/Contents/MacOS/Terminal
Terminal 320 sergery txt REG 14,2 2295501 288102 /System/Library/Fonts/LucidaGrande.dfont
Terminal 320 sergery txt REG 14,2 5425538 293864 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/Extras2.rsrc
Terminal 320 sergery txt REG 14,2 13525940 224074 /private/var/folders/vb/vbpUhSc-HtShEQmAZppmw++++TI/-Caches-/com.apple.ATS/annex_aux
Terminal 320 sergery txt REG 14,2 10244512 400652 /usr/share/icu/icudt36l.dat
Terminal 320 sergery txt REG 14,2 1832384 370074 /System/Library/PrivateFrameworks/CoreUI.framework/Versions/A/Resources/SArtFile.bin
Terminal 320 sergery txt REG 14,2 11144400 270259 /System/Library/CoreServices/RawCamera.bundle/Contents/MacOS/RawCamera
Terminal 320 sergery txt REG 14,2 531341 288103 /System/Library/Fonts/Monaco.dfont
Terminal 320 sergery txt REG 14,2 19336 224106 /private/var/folders/vb/vbpUhSc-HtShEQmAZppmw++++TI/-Caches-/com.apple.IntlDataCache.le.sbdl
Terminal 320 sergery txt REG 14,2 808008 352421 /System/Library/Keyboard Layouts/AppleKeyboardLayouts.bundle/Contents/Resources/AppleKeyboardLayouts-L.dat
Terminal 320 sergery txt REG 14,2 100788 246657 /System/Library/Caches/com.apple.IntlDataCache.le.kbdx
Terminal 320 sergery txt REG 14,2 144580 293934 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/HIToolbox.rsrc
Terminal 320 sergery txt REG 14,2 490410 293847 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/English.lproj/Localized.rsrc
Terminal 320 sergery txt REG 14,2 5836820 369904 /System/Library/PrivateFrameworks/CoreUI.framework/Versions/A/Resources/ArtFile.bin
Terminal 320 sergery txt REG 14,2 2396160 553076 /Library/Caches/com.apple.LaunchServices-023501.csstore
Terminal 320 sergery txt REG 14,2 1059792 393626 /usr/lib/dyld
Terminal 320 sergery txt REG 14,2 139087872 431216 /private/var/db/dyld/dyld_shared_cache_i386
Terminal 320 sergery 0r CHR 3,2 0t0 36655364 /dev/null
Terminal 320 sergery 1 PIPE 0x23baee0 16384
Terminal 320 sergery 2 PIPE 0x23baee0 16384
Terminal 320 sergery 3r REG 14,2 5425538 293864 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/Extras2.rsrc
Terminal 320 sergery 4 PIPE 0x23b812c 16384
Terminal 320 sergery 5 PIPE 0x23b80c8 16384
Terminal 320 sergery 6 PIPE 0x23ba7d8 16384
Terminal 320 sergery 7 PIPE 0x23ba83c 16384
Terminal 320 sergery 9r REG 14,2 144580 293934 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/HIToolbox.rsrc
Terminal 320 sergery 10r REG 14,2 490410 293847 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/English.lproj/Localized.rsrc
Terminal 320 sergery 12u CHR 15,0 0t105 36958084 /dev/ptmx
PostOpChopShop:~ sergery$ lsof -c Terminal
COMMAND PID USER FD TYPE DEVICE SIZE/OFF NODE NAME
Terminal 320 sergery cwd DIR 14,2 1224 389127 /Users/sergery
Terminal 320 sergery txt REG 14,2 1089648 138776 /Applications/Utilities/Terminal.app/Contents/MacOS/Terminal
Terminal 320 sergery txt REG 14,2 2295501 288102 /System/Library/Fonts/LucidaGrande.dfont
Terminal 320 sergery txt REG 14,2 5425538 293864 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/Extras2.rsrc
Terminal 320 sergery txt REG 14,2 13525940 224074 /private/var/folders/vb/vbpUhSc-HtShEQmAZppmw++++TI/-Caches-/com.apple.ATS/annex_aux
Terminal 320 sergery txt REG 14,2 10244512 400652 /usr/share/icu/icudt36l.dat
Terminal 320 sergery txt REG 14,2 1832384 370074 /System/Library/PrivateFrameworks/CoreUI.framework/Versions/A/Resources/SArtFile.bin
Terminal 320 sergery txt REG 14,2 11144400 270259 /System/Library/CoreServices/RawCamera.bundle/Contents/MacOS/RawCamera
Terminal 320 sergery txt REG 14,2 531341 288103 /System/Library/Fonts/Monaco.dfont
Terminal 320 sergery txt REG 14,2 19336 224106 /private/var/folders/vb/vbpUhSc-HtShEQmAZppmw++++TI/-Caches-/com.apple.IntlDataCache.le.sbdl
Terminal 320 sergery txt REG 14,2 808008 352421 /System/Library/Keyboard Layouts/AppleKeyboardLayouts.bundle/Contents/Resources/AppleKeyboardLayouts-L.dat
Terminal 320 sergery txt REG 14,2 100788 246657 /System/Library/Caches/com.apple.IntlDataCache.le.kbdx
Terminal 320 sergery txt REG 14,2 144580 293934 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/HIToolbox.rsrc
Terminal 320 sergery txt REG 14,2 490410 293847 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/English.lproj/Localized.rsrc
Terminal 320 sergery txt REG 14,2 5836820 369904 /System/Library/PrivateFrameworks/CoreUI.framework/Versions/A/Resources/ArtFile.bin
Terminal 320 sergery txt REG 14,2 2396160 553076 /Library/Caches/com.apple.LaunchServices-023501.csstore
Terminal 320 sergery txt REG 14,2 1059792 393626 /usr/lib/dyld
Terminal 320 sergery txt REG 14,2 139087872 431216 /private/var/db/dyld/dyld_shared_cache_i386
Terminal 320 sergery 0r CHR 3,2 0t0 36655364 /dev/null
Terminal 320 sergery 1 PIPE 0x23baee0 16384
Terminal 320 sergery 2 PIPE 0x23baee0 16384
Terminal 320 sergery 3r REG 14,2 5425538 293864 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/Extras2.rsrc
Terminal 320 sergery 4 PIPE 0x23b812c 16384
Terminal 320 sergery 5 PIPE 0x23b80c8 16384
Terminal 320 sergery 6 PIPE 0x23ba7d8 16384
Terminal 320 sergery 7 PIPE 0x23ba83c 16384
Terminal 320 sergery 9r REG 14,2 144580 293934 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/HIToolbox.rsrc
Terminal 320 sergery 10r REG 14,2 490410 293847 /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/HIToolbox.framework/Versions/A/Resources/English.lproj/Localized.rsrc
Terminal 320 sergery 12u CHR 15,0 0t3717 36958084 /dev/ptmx

I'd like to get all this data into Pd somehow.
At some point I'd like to write it to a file and then search through it for the file name that I want. I'm having trouble though. Any ideas?